Ladies and gentlemen… while the new film “Hitchcock” may not be a terrifying exercise in suspense, there are certainly a few surprises, not to mention some unexpected revelations about its subject. Enlivened by excellent performances from the cast, it’s an enjoyable biopic that, between several instances of droll humor, sheds a great deal of light on the many obstacles that almost prevented one of the most famous films in cinematic history from being created.
The story follows famed director Alfred Hitchcock (Anthony Hopkins), entering his 60’s and in a transitional career phase. Despite the success of “North by Northwest,” the studio head sees the filmmaker’s career as having peaked and feels it time for him to make way for younger talent. Reacting to criticism that he’s falling out of touch, Hitchcock options the novel Psycho, newly determined to create a more visceral thriller. Of course, the project is met with scepticism from executives, and he’s forced to put his own money on the line to get it made. Further trouble arises in the form of jealousy when his wife Alma (Helen Mirren) decides to work on a screenplay with a young, male writing partner (Danny Huston).
While it should be no surprise to audiences how successful “Psycho” ends up being, it is fun to see recreations of the shooting of the film’s famous moments, including the infamous shower scene. Scarlett Johansson and Jessica Biel essay the roles of put upon actresses Janet Leigh and Vera Miles. Beyond the pair performing with assurance, their resemblance to the real subjects is at times startling.
Although his make-up isn’t nearly as convincing, Hopkins effortlessly employs the deadpan diction and mannerisms of Hitchcock, while also providing brief glimpses into some of his insecurities and predilections. This includes his penchant for and at times unusual treatment of his blonde-haired actresses. Also, on a more humorous (and far more exaggerated) note, are the interior conversations between the director and Ed Gein (Michael Wincott), the killer who inspired the Psycho novel and film.
Perhaps most surprising and informative is the role of Alma in both Hitchcock’s personal life and career. Alma endures a great deal, having not only to deal with being brushed aside by many while in the company of her famous husband, but also endure some stinging barbs from her resentful husband. Despite these frustrations, Alma not only tolerates the self-doubting director, but also steps into the editing room and helps salvage a problematic rough cut and help create a horror classic. Mirren, as expected, does an excellent job of bringing a previously undervalued woman to the forefront.
In the end, it’s a fun little ode to the making of a famous flick, and one that sheds more light onto the women in Hitchcock’s life, both personally and professionally, who helped to make it a masterpiece.