{"id":1886,"date":"2011-12-01T13:15:57","date_gmt":"2011-12-01T21:15:57","guid":{"rendered":"http:\/\/www.cinemastance.com\/?p=1886"},"modified":"2011-12-01T13:15:57","modified_gmt":"2011-12-01T21:15:57","slug":"the-gradual-decline-of-tim-burton","status":"publish","type":"post","link":"https:\/\/cinemastance.com\/?p=1886","title":{"rendered":"The Gradual Decline of Tim Burton"},"content":{"rendered":"

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\nTim Burton used to make his own fairy tales. Now he has resigned to recycling the fables of others. <\/p>\n

Granted the word visionary still applies when speaking about Burton. His work has a defined look and feel that warrants the word Burtonesque: The askew angles and bright, vivid use of color. Also the man likes a straight line in his scenery about as much as Dr. Seuss did. Since the mid-eighties with the release of his first film, the quirky \u201cPee Wee\u2019s Big Adventure,\u201d Burton has been seen as an important American Director, a unique voice that has entertained millions. <\/p>\n

\u201cPee Wee\u201d begat \u201cBeetlejuice,\u201d possibly the most insane and vulgar \u201cfamily film\u201d every released. Michael Keaton is a horny demon that spends the movie groping Geena Davis while trying to get inside Winona Ryder\u2019s under aged pants. There is a moment where Beetlejuice is distracted by a whorehouse filled with dead prostitutes and the \u201cf\u201d word is used as Beetlejuice tugs on his crotch (“Nice fucking model!”). But damn, the movie is fantastic; a modern classic that is wholly original. At first, originality was never lacking in a Burton film. <\/p>\n

Then the auteur took his magic touch and invented the modern superhero movie with \u201cBatman\u201d. Again, he gets away with presenting a bizarre and twisted tale that somehow passes as amusement for the masses. With \u201cBatman Returns\u201d we have a big budget, tent-pole Summer Movie with a climax that takes place in the sewer and features a herd of penguins with missiles strapped to them. Like \u201cBeetlejuice,\u201d that movie also features an obscene amount of sexuality as Danny DeVito as the vile villain, The Penguin, tosses about 83 pussy jokes in the direction of the incredibly sexy Catwoman (Michelle Pfeiffer in a skin tight, bondage outfit).
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\n\u201cEdward Scissorhands\u201d is a modern fairytale that is Burton\u2019s purest vision. The film established Johnny Depp as movie star with a peculiar taste that fit perfect with the director. From the cookie cutter, pastel version of suburbia to the dark, foreboding castle on the hill that is the home to our Edward, this is Tim Burton\u2019s world. Depp even shared the same straggly hair that Burton donned at the time. \u201cNightmare Before Christmas\u201d is another example of original storytelling that provided a glimpse into the mind of the filmmaker. <\/p>\n

Then Burton took a serious turn and gave us the smart and sentimental bio-pic \u201cEd Wood\u201d that explored the life of the Hollywood outcast who made some of the worst films in cinema history (“Plan 9 from Outer Space,” “Glen or Glenda”). It\u2019s obvious that Burton viewed himself as an outcast even though he was constantly creating popular films that were embraced by the mainstream. A common theme in these early films was not fitting in, not being understood.
\nNow a part of the machine, with his films grossing hundreds of millions of dollars and starring mega stars like Jack Nicholson, he lost his sense of being out of place. Tim Burton effectively lost his main inspiration. With nothing personal to say any longer, he turned his attention on regurgitating and remaking instead of creating and crafting.
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\nBurton has becomve the modern day Walt Disney, putting his spin exclusively on existing works. Disney never made an original film, he simply retold the classics. \u201cSleepy Hollow\u201d and \u201cAlice in Wonderland\u201d received distilled versions from both men. Nearly every film by Burton since 1996 has been based on another source material. The horrible \u201cPlanet of the Apes\u201d was easily the most lifeless while his spin on \u201cCharlie and the Chocolate Factory\u201d was an obvious match. \u201cMars Attacks\u201d got its inspiration from a series of trading cards while \u201cSweeney Todd\u201d was based on a hit musical. There was \u201cBig Fish\u201d which was culled from a novel and represents Burton\u2019s most mature work. This sort of film would have been an exciting path to continue his career down but instead he has chose to become the Great Remaker. <\/p>\n

His only truly original film during this period was \u201cCorpse Bride\u201d, a stop motion animation family film that pales in comparison to its companion piece, \u201cNightmare Before Christmas\u201d. <\/p>\n

And what is on the horizon for the Great American Filmmaker? First we have \u201cDark Shadows,\u201d his take on the gothic soap opera from the 70s, followed by a remake of his own early short film, \u201cFrankenweenie\u201d- this time in stop motion!! The latter represents a new milestone as Burton has begun picking from his own filmography for projects.
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\nIt\u2019s sad that Tim Burton\u2019s career has devolved into this repetitive cycle of retreads. Even sadder still is that his films still make LOADS of money, as we have become an audience complacent with being fed the same ideas and stories time and again. If anything, Burton represents what has become commonplace in our entertainment culture. We are stuck on repeat. <\/p>\n","protected":false},"excerpt":{"rendered":"

Tim Burton used to make his own fairy tales. Now he has resigned to recycling the fables of others. Granted the word visionary still applies when speaking about Burton. His work has a defined look and feel that warrants the word Burtonesque: The askew angles and bright, vivid use of color. Also the man likes […]<\/p>\n","protected":false},"author":3,"featured_media":1895,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[2447,5224,6745,10936,15885,18536,22889,23941],"class_list":["post-1886","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-articles","tag-beetlejuice","tag-dark-shadows-2012","tag-edward-scissorhands","tag-johnny-depp","tag-pee-wee-herman","tag-sleepy-hollow","tag-tim-burton","tag-walt-disney"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/1886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1886"}],"version-history":[{"count":0,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/1886\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}