{"id":21548,"date":"2020-11-05T10:58:50","date_gmt":"2020-11-05T18:58:50","guid":{"rendered":"http:\/\/www.cinemastance.com\/?p=21548"},"modified":"2020-11-05T10:58:50","modified_gmt":"2020-11-05T18:58:50","slug":"let-him-go-features-fine-performances-in-a-predictable-story","status":"publish","type":"post","link":"https:\/\/cinemastance.com\/?p=21548","title":{"rendered":"LET HIM GO Features Fine Performances, But a Predictable Story"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2017\/11\/24_0007_B-merged.png\" alt=\"\" class=\"wp-image-15337\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In-laws can be a pain, but few are as much trouble as those featured in the new period drama, <em>Let Him Go<\/em>. The plot of this feature has a great deal of potential, pitting two families against each other over the welfare of a young infant. Yet, like its lead characters the movie too often follows the straight and narrow. While the performances are strong and the finale is admittedly effective, some sections end up coming across in many respects like a predictable revenge potboiler. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2020\/11\/let-him-go-leads-questioning-1024x683.jpg\" alt=\"\" class=\"wp-image-21550\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Rancher\/ex-sheriff George Blackledge (Kevin Costner) and his opinionated wife Margaret (Diane Lane) suffer a tragedy when their adult son falls of a horse and passes away, leaving widow Lorna (Kayli Carter) behind and their new baby. The strong-willed Margaret tries to help Lorna with the infant, but the two butt heads over its care. Things get worse when Lorna remarries Donnie Weboy (Will Brittain) and leaves the family home. A prying Margaret discovers that the new husband is abusive, but before she can confront the couple, they disappear. Driven to find and protect her grandson, the grandmother demands that she and the reticent George track down the missing couple. As it turns out, the road leads to the Weboy family, a thuggish group led by the controlling matriarch, Blanche (Lesley Manville). <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2020\/11\/let-him-go-manville-fixed.jpg\" alt=\"\" class=\"wp-image-21552\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Despite being a thriller, the movie feels more like a\nwestern. Its biggest asset is its cast, who all bring a gravitas to the pulpy\nmaterial. George is a reluctant hero who knows that no good came come of\nsquaring off against a well-known clan of wrongdoers and Lane is effective as a\ndetermined parent who won\u2019t let anything stop her from collecting her\ngrandchild. The villains of the piece are generally one-note, but the talented actors\ncertainly exude menace even. Most of the intimidation comes from Bill (Jeffrey\nDonovan), an initially polite but threatening cousin of Donnie who appears mildly\namused by the seniors trying to take back the baby. Even cast members in\nsmaller roles, like that of cast-out Peter Dragswolf (Booboo Stewart), are\nsolid and make an impression.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2020\/11\/let-him-go-dinner-fixed-1024x576.jpg\" alt=\"\" class=\"wp-image-21551\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Still, early on there\u2019s something that just feels a little\ntoo familiar about the story. It takes a long while for the leads to find out\nwhat happened to their family member and when the families do meet, good and\nbad are clearly drawn in explicit terms. Given that the two central figures are\nboth determined family matriarchs, it might have been more exciting to see certain\nelements handled differently. The protagonist\u2019s all-American qualities (like\nMargaret\u2019s propensity to bake) could actually have played as eerie too if more similarities\nbetween the seniors and their foes had been exposed amidst the escalating\nsituation. Instead, the Weboys are vicious villains who must be stopped from\nthe get-go and George and Margaret are never less than earnestly heroic, with the\nex-sheriff ultimately stepping in taking on a more prominent role later in the\nfilm. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">When the two families do come to blows, it is effective and well edited. The movie peppers in more violence during climax than one would expect in order to add tension to the proceedings. Beyond the bloodshed, it\u2019s always clear where things are headed and how the central conflict will be resolved. I certainly admired the work of the cast in <em>Let Him Go<\/em>, but sections of the script do feel musty. The basic concept really had the potential to jab at old-fashioned family values and iconography, yet besides the protagonists being older, the film ends up following the same beats we\u2019ve all seen before. It is well shot and performed and the finale is compelling to a degree, but the movie itself doesn\u2019t add anything unique or overly memorable to the traditional revenge\/thriller formula. &nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In-laws can be a pain, but few are as much trouble as those featured in the new period drama, Let Him Go. The plot of this feature has a great deal of potential, pitting two families against each other over the welfare of a young infant. Yet, like its lead characters the movie too often [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":21549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[198,697,3288,5845,10533,11530,11617,12267,12279,12280,12281,12282,16304,16931,22825,24114,24283],"class_list":["post-21548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movie-reviews","tag-198","tag-action","tag-booboo-stewart","tag-diane-lane","tag-jeffrey-donovan","tag-kayli-carter","tag-kevin-costner","tag-lesley-manville","tag-let-him-go","tag-let-him-go-film-review","tag-let-him-go-movie-review","tag-let-him-go-review","tag-potboiler","tag-revenge","tag-thriller","tag-western","tag-will-brittain"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/21548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=21548"}],"version-history":[{"count":0,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/21548\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=21548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=21548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=21548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}