{"id":25367,"date":"2022-09-15T13:32:01","date_gmt":"2022-09-15T20:32:01","guid":{"rendered":"http:\/\/www.cinemastance.com\/?p=25367"},"modified":"2022-09-15T13:32:01","modified_gmt":"2022-09-15T20:32:01","slug":"the-woman-king-benefits-from-a-charismatic-cast","status":"publish","type":"post","link":"https:\/\/cinemastance.com\/?p=25367","title":{"rendered":"THE WOMAN KING Benefits from a Charismatic Cast"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2016\/02\/24_0008_B-merged.png\" alt=\"\" class=\"wp-image-10620\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Running Time: 135 minutes<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>This feature film from TriStar Pictures will premiere\nexclusively in movie theaters September 16th, 2022.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Loosely based on the history of the Dahomey Kingdom in West Africa during the early 19<sup>th<\/sup> century, the new feature <em>The Woman King<\/em> presents some new narrative elements to audiences. Specifically, it details members of the Agojie, an all-female team of vigilant warriors who served to protect their kingdom and leaders. The feature suffers slightly from a jumbled story that drifts back and forth between two central characters, but works thanks to a charismatic cast and some impressive battle scenes.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2022\/09\/Woman-King-New-01-fixed.jpg\" alt=\"\" class=\"wp-image-25372\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">General Nanisca (Viola Davis) is the fearsome and vigilant leader of the Agojie, who serve the Dahomey nation. Her primary role involves leading fighters into battle against the neighboring Oyo Empire, who are taking Dahomey prisoners and selling them to slave traders from Europe and The Americas. Despite advisors pleading that King Ghezo (John Boyega) reach a diplomatic compromise with their enemy, Nanisca\u2019s unwavering commitment to fight causes tension between herself and other high-ranking officials. In the meantime, 19-year-old Dahomey villager Nawi (Thuso Mbedu) refuses to participate in an arranged marriage and is forced by her father to leave home and join the Agojie. The clever but inexperienced youngster is trained by Izogie (Lashana Lynch), quickly making an impression on Nanisca. As conflicts with the Oyo worsen, Nawi is forced to join in the war.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2022\/09\/Woman-King-New-03-fixed.jpg\" alt=\"\" class=\"wp-image-25374\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">While the opening scenes focus on Nanisca and set up the\nconflict between the Dahomey and Oyo kingdoms, this story element is quickly\nput on the backburner. Instead, early sections of the film focus primarily on\nNawi and her struggles and experiences training to be an Agojie. This actually\nturns out to be a positive, as Navi\u2019s journey and her relationship with trainer\nIzogie is the highlight of the film. Despite being drilled to be ruthless\nkillers without a shred of emotion, the two characters ultimately open up to\neach other. In particular, Izogie gives humorous advice and adds a dose of\nlevity during the brutal process. The pair are captivating throughout and one\nactually ends up wishing that their relationship and story was the center of\nthe entire film.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2022\/09\/Woman-King-06-fixed.jpg\" alt=\"\" class=\"wp-image-25373\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In the second half, the focus shifts back to the conflict\nitself, the political maneuvering and Nanisca. This material delivered in a far\nblunter and more predictable manner. Naturally, Davis is powerful and\ncompelling as the warrior general, but her personal journey ends up being an\noverly familiar one. A tormenting secret from her past is revealed, causing\nconsternation and potentially changing a relationship. Surprisingly, the\nscreenplay chooses to answer this burning question almost immediately after\nraising it. It\u2019s a strange tactic, given that the movie could have cultivated\nthe subplot for far more suspense and drama had it waited to address it until\nthe finale (or had just left it open to debate).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But, while some of the melodrama is delivered in an overly\nstraightforward manner, the action certainly delivers and makes up for some of\nthese issues. There are plenty of striking fight sequences and an elaborately\nstaged battle as the intimidating characters get into conflict with the Oyo.\nEven young members of the team with slight builds get to show off and take down\nthreats with dizzying spins and fast, powerful strikes.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/www.cinemastance.com\/wp-content\/uploads\/2022\/09\/Woman-King-07-fixed.jpg\" alt=\"\" class=\"wp-image-25375\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Admittedly, the screenplay has some story issues and the\nmovie delivers its message with a lack of subtlety. Additionally, history buffs\nwill also take plenty of issue with the actual history of this region and what\nreally transpired during this period. Still, <em>The Woman King<\/em> boasts some\nmagnetic performances, as well as plenty of well-staged action scenes that will\nultimately fascinate and entertain viewers. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Running Time: 135 minutes This feature film from TriStar Pictures will premiere exclusively in movie theaters September 16th, 2022. Loosely based on the history of the Dahomey Kingdom in West Africa during the early 19th century, the new feature The Woman King presents some new narrative elements to audiences. Specifically, it details members of the [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":25369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[209,697,5053,6251,7009,10821,12097,22650,22651,22652,22653,22848,23288,23831,23999,24109,24417],"class_list":["post-25367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-movie-reviews","tag-209","tag-action","tag-dahomey","tag-drama","tag-eone","tag-john-boyega","tag-lashana-lynch","tag-the-woman-king","tag-the-woman-king-film-review","tag-the-woman-king-movie-review","tag-the-woman-king-review","tag-thuso-mbedu","tag-tristar","tag-viola-davis","tag-warriors","tag-west-africa","tag-woman"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/25367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25367"}],"version-history":[{"count":0,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/25367\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}