{"id":25855,"date":"2023-01-05T22:56:11","date_gmt":"2023-01-06T06:56:11","guid":{"rendered":"http:\/\/www.cinemastance.com\/?p=25855"},"modified":"2023-01-05T22:56:11","modified_gmt":"2023-01-06T06:56:11","slug":"san-diego-film-critics-society-2022-nominees","status":"publish","type":"post","link":"https:\/\/cinemastance.com\/?p=25855","title":{"rendered":"2022 SAN DIEGO FILM CRITICS SOCIETY NOMINEES"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Each year, the members of the San Diego Film Critics Society (SDFCS) vote on their favorite films of the year. Here are the pictures and performers that earned nominations in 2022. The winners will be announced tomorrow!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Picture<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ELVIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00c1R<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Director<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edward Berger, ALL QUIET ON THE WESTERN FRONT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Todd Field, T\u00c1R<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniel Kwan, Daniel Scheinert, EVERYTHING EVERYWHERE ALL AT\nONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martin McDonagh, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Steven Spielberg, THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Actor<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Austin Butler, ELVIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Colin Farrell, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ralph Fiennes, THE MENU<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brendan Fraser, THE WHALE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gabriel LaBelle, THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Actress<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cate Blanchett, TAR<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Danielle Deadwyler, TILL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Regina Hall, HONK FOR JESUS. SAVE YOUR SOUL.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Michelle Williams, THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Michelle Yeoh, EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Supporting Actor<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brendan Gleeson, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brian Tyree Henry, CAUSEWAY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Barry Keoghan, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ke Huy Quan, EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mark Rylance, BONES AND ALL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Supporting Actress<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kerry Condon, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jamie Lee Curtis, EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nina Hoss, T\u00c1R<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Stephanie Hsu, EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lashana Lynch, THE WOMAN KING<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Comedic Performance<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nicolas Cage, THE UNBEARABLE WEIGHT OF MASSIVE TALENT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniel Craig, GLASS ONION: A KNIVES OUT MYSTERY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brian Tyree Henry, BULLET TRAIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Brad Pitt, BULLET TRAIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniel Radcliffe, WEIRD: THE AL YANKOVIC STORY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Youth Performance&nbsp;<\/strong>(For a performer under\nthe age of 16)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jalyn Hall, TILL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Madeleine McGraw, THE BLACK PHONE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Banks Repeta, ARMAGEDDON TIME<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Malea Emma Tjandrawidjaja, AFTER YANG<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jaylin Webb, ARMAGEDDON TIME<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Original Screenplay<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Keith Beauchamp, Chinonye Chukwu, Michael Reilly, TILL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Todd Field, T\u00c1R<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Daniel Kwan, Daniel Scheinert, EVERYTHING EVERYWHERE ALL AT\nONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Martin McDonagh, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Seth Reiss, Will Tracy, THE MENU<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Adapted Screenplay<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edward Berger, Lesley Paterson, Ian Stokell, ALL QUIET ON\nTHE WESTERN FRONT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Guillermo del Toro, Patrick McHale, Gris Grimly, Matthew\nRobbins, GUILLERMO DEL TORO&#8217;S PINOCCHIO<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Samuel D. Hunter, THE WHALE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">David Kajganich, BONES AND ALL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarah Polley, Miriam Toes, WOMEN TALKING<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Documentary<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ALL THE BEAUTY AND THE BLOODSHED<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">FIRE OF LOVE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">GOOD NIGHT OPPY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">NAVALNY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">WILDCAT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Animated Film<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">GUILLERMO DEL TORO\u2019S PINOCCHIO<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">MARCEL THE SHELL WITH SHOES ON<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">PUSS IN BOOTS: THE LAST WISH<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TURNING RED<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">WENDELL &amp; WILD<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Foreign Language Film<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ALL QUIET ON THE WESTERN FRONT<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">CLOSE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DECISION TO LEAVE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">HAPPENING<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">RRR<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Editing<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">David Brenner, James Cameron, John Refoua, Stephen E.\nRivkin, Ian Silverstein, AVATAR: THE WAY OF WATER<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarah Broshar, Michael Kahn, THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mikkel E. G. Nielsen, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jonathan Redmond, Matt Villa, ELVIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Paul Rogers, EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Cinematography<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Russell Carpenter, AVATAR: THE WAY OF WATER<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ben Davis, THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Janus Kaminski, THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sayombhu Mukdeeprom, THIRTEEN LIVES<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Linus Sandgren, BABYLON<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Production Design<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Katie Byron, DON\u2019T WORRY DARLING<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rick Carter, THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rick Heinrichs, GLASS ONION: A KNIVES OUT MYSTERY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jason Kisvarday, EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Florencia Martin, BABYLON<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Visual Effects<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AVATAR: THE WAY OF WATER<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">GUILLERMO DEL TORO\u2019S PINOCCHIO<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TOP GUN: MAVERICK<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Costume Design<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jenny Beavan, MRS. HARRIS GOES TO PARIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ruth E. Carter, BLACK PANTHER: WAKANDA FOREVER<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Catherine Martin, Rachelle Mejia, ELVIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marci Rodgers, TILL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mary Zophres, BABYLON<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Sound Design<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AVATAR: THE WAY OF WATER<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">BULLET TRAIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ELVIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00c1R<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">TOP GUN: MAVERICK<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Use of Music<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">ELVIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE FABELMANS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00c1R<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">WEIRD: THE AL YANKOVIC STORY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Breakthrough Artist<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jessie Buckley, WOMEN TALKING<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Austin Butler, ELVIS<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Danielle Deadwyler, TILL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Anna Diop, NANNY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Taylor Russell, BONES AND ALL<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Best Ensemble<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE BANSHEES OF INISHERIN<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">EVERYTHING EVERYWHERE ALL AT ONCE<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">GLASS ONION: A KNIVES OUT MYSTERY<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">THE MENU<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">WOMEN TALKING<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Each year, the members of the San Diego Film Critics Society (SDFCS) vote on their favorite films of the year. Here are the pictures and performers that earned nominations in 2022. The winners will be announced tomorrow! Best Picture THE BANSHEES OF INISHERIN ELVIS EVERYTHING EVERYWHERE ALL AT ONCE THE FABELMANS T\u00c1R Best Director Edward [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":25858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[209,211,212,15009,17612],"class_list":["post-25855","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-feature-articles","tag-209","tag-2022-san-diego-film-critics-society-nominations","tag-2022-san-diego-film-critics-society-nominees","tag-nominees","tag-san-diego-film-critics-society"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/25855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25855"}],"version-history":[{"count":0,"href":"https:\/\/cinemastance.com\/index.php?rest_route=\/wp\/v2\/posts\/25855\/revisions"}],"wp:attachment":[{"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cinemastance.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}